Posts

**Capturing Moments: Mini Sessions vs. Custom Photography with DWM Photography**

In the dynamic world of photography, two distinct paths unfold before you: Mini Sessions and Custom Photography. Each avenue, with its unique allure, offers a spectrum of choices to cater to diverse needs and preferences. Let's embark on a delightful exploration of fleeting snapshots and personalised portraits, guided by the lens of David Wagstaff-Myers, the owner of DWM Photography in Nr. Bawtry. ### The Quick Snap: Mini Sessions with DWM Photography **Speedy Sessions, Pricey Impressions by DWM Photography** DWM Photography brings you the express lane of photography – quick, convenient, and budget-friendly mini sessions. Lasting around 20-30 minutes, these sessions aim to capture a handful of stunning shots without consuming too much of your time. Ideal for those with busy schedules or families with little ones, DWM Photography ensures efficiency without compromising quality. **Themes Galore with DWM Photography** DWM Photography adds a touch of flair to your mini sessions by offe

In-Depth Strategies to Excel in Property Photography for 2024

Harnessing Foundational Tips Beyond equipment and technicalities, achieving excellence in property photography involves honing your artistic instincts. Understand the play of light and shadows in different spaces. Experiment with angles to capture unique perspectives that highlight the property's architectural features. Pay attention to details – well-staged furniture, immaculate decor, and thoughtful compositions contribute to creating visually compelling narratives. *Camera Settings for Artistic Precision* While technical knowledge is crucial, don't forget the creative aspect of your craft. Experiment with different apertures to play with depth of field and draw attention to specific elements. Adjusting shutter speed can introduce dynamic elements, capturing movement or creating a sense of stillness. These nuances can elevate your photography from merely showcasing a property to telling a story. *Advanced Techniques for Visual Storytelling* HDR photography, in particular, bec

THE IMPORTANCE OF BACKGROUND IN PHOTOGRAPHY COMPOSITION

Image
Today I will discuss the importance of background in photography composition illustrated with some examples of mine. Part of a larger series covering elements of composition in photography for which you’ll find links at the end of this article. I taught myself photography in quite a specific order, I navigated / progressed through various urban photography genres: Graffiti Photography > Urban Landscape Photography > Street Photography It’s the reason I realised early how important an image’s background really is, allow me to explain: I took-up photography as I used to have an obsession with graffiti, around 2006. I was like a trainspotter but instead of obsessively shooting trains, I’d hunt for new graffiti art around London which would be cleaned or gone just as fast as that elusive locomotive. I had to find them. After exclusively shooting graffiti up-close, photography itself became my passion. I realised I loved graffiti because of how it sat within its surroundings and its e

UNDERSTANDING CATCHLIGHTS

Image
                                                                                                             Catchlights are the lights reflected in a subject’s eyes. I normally use strobes to capture them. Catchlights add life and sparkle, while their absence can result in dull, lifeless images. There are no hard and fast rules, and sometimes you may want dead and lifeless. It’s all about knowing what you want, why you want it and how to create it. But portraits are almost always better with catchlights. Single vs. multiple catchlights Regardless of the light source used, the goal remains the same: replicating what exists in nature. In nature, we have only one light source, the sun, and there’s only one. I’m not a fan a multiple catchlights. There are exceptions to this, notably in the studio with certain fashion, cosmetics and beauty lighting applications, so we’ll look at them both ways. While studio lighting is a bit more forgiving in the catchlight department, my prefe

DEALING WITH ADVERSITY

Image
I have worked my ass off building a successful business. But it hasn’t been easy. The last year has been enough to break the strongest-willed person. So, what do you do? I am sure as you read this you can relate on some level. You have had things go wrong in your life or business. We all have. I don’t have all the answers. All I can do is share with you my lessons learned and how I have managed turmoil, adversity and negativity in my recent past. Roll with the punches. One thing I have come to realize is that you just have to roll with it. I don’t know, maybe it’s just experience that has led me to this conclusion, but what are you going to do? Give up? Whatever you are doing in life or business, it is going to be met with some level of friction. It’s impossible for it not to. I stress this to myself and my team constantly: “If it were easy, everyone would do it.” That’s not just some cliché line. Think about it. The people who are successful are there not because they are

SLASH OF LIGHT: CREATING DRAMA WITH GOBOS

Image
Inspiration The most exciting kinds of artificial lighting are those that mimic natural light. It’s not easy to recreate nature’s subtle, atmospheric qualities. Beginners make the common mistake of throwing way too much light at what they’re shooting. Whether you’re shooting people or products, less is more. The more focused the lighting, the more interesting and visually compelling it becomes. If there’s light everywhere, there’s no direction for the viewer’s eye to follow. If there’s a scarcity of light, the areas that are illuminated become the focal point. We see this kind of subtle light in nature. Lighting geeks like me love nothing more than watching the way sunlight behaves as it streams through a narrow opening, moves across the sky or scatters into beams of light as it breaks through clouds or strikes the leaves of a tree overhead. It results in unique shapes and patterns. These magic lighting moments give me pause and remind me how powerful light and shadow can be in

BUILDING MUTUALLY BENEFICIAL VENDOR RELATIONSHIPS

Image
After 12 years working as a professional photographer, I realise now more than ever the value of having working relationships with industry vendors. We all have a job to do, we all want to be successful, we all want to make money. I see a lot of businesses take an isolationist approach, which can be detrimental to the success of your business. Instead, I find ways to foster mutually beneficial relationships with vendors. Recently I was looking at where my fashion portraiture referrals were coming from when I noticed that a venue I used to shoot at several times a year had completely fallen off my radar. We had not shot a wedding there in almost five years. How could that be? We picked up the phone, scheduled a meeting with their team and did something about it. Below is how we went from an afterthought to front-runner—and rebuilt a relationship and our portfolio along the way. Know what you bring to the table.  We are creatives. All businesses need creative talent. They need graph